That Drifting Poo Was Way Too Meaningful! It's the Television Disappointments of the Year.

Looking back, we consider the television landscape of the recent year, a selection of shows emerge not for their excellence, but for their spectacular failures. From awkward sequels to confusingly poor documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Burdened with woeful scripts, painful arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to justify its existence. Briefly, as the third series began, it looked like it had at last found its groove. Then came an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the final season. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Yet, fans undeniably had a hoot dissecting every single “what on earth?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon no-star assessment, it was hard to know where to begin listing the problems. The hilariously wooden writing? The tedious glorification of affluence and materialism? The almost deliberate parade of tropes? Performances so bad they felt borderline spiteful? Let’s just say “all of the above” and never speak of this series again. Except, a new season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this multi-part documentary which smirked its way at Sheen’s various bouts of reckless hedonism while struggling to tell us anything we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any pity this show might evoke should be reserved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Iris Affair

Of course we knew it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy figures meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate baffling accents. But there were plenty of other problems. Primarily that it was just really boring; a conflict over drug-selling territory between various cockney rogues which seemed a bit basic.

With Love, Meghan

Given the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised forays into twee homemaking as intentional provocations. But then you watch them and are forced to concede that actually, they may have a point. It’s like watching a homeware catalogue come to life; a poster for wine o’clock with delusions of grandeur; a procession of sleeping dogs, humming beehives, sentimental sayings and forgettable crafting “tips” you’ll not remember instantly. All underpinned by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her struggles with vocation, self-image, self-worth. But for whatever reason, this documentary series chose not to explore them. Rather, the experience was akin to consuming a marketing brochure. She obviously has good reason to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this guarded letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality managing her inheritance. What more could you want? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The pressure was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd inclusion of talented emerging comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be treated with care. Rather, the series laboured awkwardly to find the right tone, lumbering from strangely breezy, slightly stylised farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about government agencies spying on – and eliminating – academics honestly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for sexual exploits as she undertook her biggest feat yet. What on earth would possess her? What we wanted was way more examination of her true psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to drag her son away from the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.

Gregg Harrison
Gregg Harrison

Investigative journalist with a focus on corporate scandals and ethical breaches, dedicated to uncovering hidden truths.